David McCallum _ Projects!

• • 2013
  • Critters _ Installation
  • 221, 321, 543 _ Weaving
  • Satin and houndstooth software _ Software
• • 2012
  • Looking Up _ Net Art
• • 2011
  • Powers of Satin _ Textile
• • 2010
  • Neighbourhoodie _ Wearable
• • 2009
  • Knitted studies _ Knit
  • Singing Underwear Workshop _ Workshop
  • Frogr _ Wearables prototype
  • Sounding Space _ Public Art Installation
• • 2008
  • Sign Me a Space _ Installation
  • Harper _ Knit
  • Push _ Music
  • Light Play _ Installation
  • Auld Lang Syne 2008 _ Installation
  • I/O Media _ Group
• • 2007
  • Warbike _ Mobile artwork
  • Palimpsest _ Installation
  • Asteroid B612 _ Video
  • i swallow _ Performance
  • Arse Feck _ Net art
  • Auld Lang Syne 2007 _ Installation
• • 2006
  • Interview with Stelarc _ print
  • Geeks don't know it's psychogeography _ print
  • Cricket Farm _ Installation/performance
• • 2005
  • Your Network is Mine _ Performance
  • Big Like Me _ Webcam Film
  • Dear Diary, Dear World _ Net art
  • Attack of the PANTs _ Workshop
  • You Say Potatoe, I Say Potato _ Performance
  • Hugs _ Group
  • Re _ Group
• • 2004
  • mcfalcon-l _ Group
  • Flexing Swine _ Group
  • Drinking Box _ Group
  • Leark _ Group
• • 2003
  • Bench _ Video
  • Bon Appetit! _ Video
  • A Trip to the Zoo _ Film
  • Deconstructing Evil _ Video
  • Experimental Music at the Grad Club _ Event series
  • The United Empire Loyalist Orchestra _ Group
• • 2002
  • The Immediacy Group _ Group
  • O Canada: Three Hours in One and One-half Minute _ Music
  • MIDI Bear _ Toy
  • The Lumber Dog Trio _ Group

Hugs

2004-2005

Type

Group

Keywords

music, improv, collective

Status

inactive

Entities

Alex Berman, Lalya Gaye, Svante Hermansson, Sue Huang, Margot Jacobs, Jacob Munkberg, Hampus Petterson, Kristofer, Daniel Rehn

Showing

ManiFEST, Big Love

Hugs was started in Gothenburg, Sweden at the Big Love Gallery to provide a forum for improvised music in an open setting. Everyone was welcome to bring whatever instrument they wanted, acoustic or electric. Frequently there would be themes that would be loosely followed (such as to only use your mouth to make music), but nothing was rigid.